SEEING THE LIGHT...IT'S EDIT TIME

hey there, shel here, things are getting HOT and HEFTY here in GERALD'S LAST DAY land...

and i am so happy to report that i've been EDITING! the last two weeks.

justin taught me how to use adobe premeir (an editing program) and now i'm pasting/cutting/tweaking/massaging/adding foley (tech talk:sound effects)....

so far i have rough edits of 3 1/2 scenes (out of 5).

okay, i'm going to type that again....cuz after 2 years, this looks really sweet to me:

three and a half scenes (out of 5) are roughly edited.

justin, seeing the end is near, is pushing more doggedly (sorry) than ever. hard to imagine him pushing harder, but he has 18 more shots to do (out of about 67 total for the film) and he's out in the garage right now knocking 5 super short ones off the list, so by the time you read this he'll have 13 more to go.....(6-8 weeks, i figure).

....you see, it's like that, the end is coming so fast now we can ALMOST taste it.

it's helpful to be editing now, while justin's still shooting, cuz we're able to improvise on the storyboards as needed with pick up shots (shots that weren't planned on the storyboards, so they aren't on our shot list. in fact next time i think we'll start editing even sooner. (yup, now that we are totally addicted to stop mo we are starting to get juicy about our next fix.....uh, i mean film.)

it was SUPER exciting at first to just start stringing shots together.....and then scenes together....... and now adding sounds is bringing it to life in a whole new way.....i know when we get the music it's gonna put us over the top!

SPEAKING OF WHICH, we found the composer of our dreams --so dreamy that he needs a whole post to himself so more to come on that in a couple weeks--except to say we should have 4 solid roughly edited scenes, including the intro, when we meet with him in 2 weeks.

BUT THE COOLEST PART is that the shots are WORKING together.....they are telling the story, just like justin's storyboards said they would (much to his relief). to see it all flowing together after all this time.....MAGIC.....is seriously GRATIFYING. justin's animation has brought these puppets to life, i can't wait for you all to see it. i swear, the scenes are moving even me and i know exactly what the puppets and sets are made of! when i hold these puppets i think of mold making mud stuck to the table, and armature wire, and i smell the foam chemicals, and remember propaste and zap a gap and 5 minute apoxy stuck to my fingers for days, i see places where i could have been more sure handed with the paint lines...but when i see them on the screen i see real live beings, moving through moments in time, affecting all they come in contact with. it's life.

OUR LIST OF THINGS TO DO, WHICH FORMERLY HAD 5568 THINGS (OR SO) ON IT, HAS DIMINISHED TO THIS SHORT LIST OF 11:

1. 5 more shots in the cage (i'm pretty sure justin will slam them out this sunday)
then we turn the set around
2. 9 more shots in the hallway
3. then i rebuild the intro set
4. shoot the intro (1 long shot)
5. then i build a hillside set
6. shoot the ending (1 medium shot)
then
7. make a few more puppets for end credits
8. make the credits
9. make the end credit animation (short w/green screen, so no sets)
10. clean ALL the frames (OK--that one kind of hurts!)
11. then we take our rough edits of the super small movies we've made of justin's HUGEMONGOUS HDVD size frames and somehow (.....have to figure this one out??cuz our computers can't handle those monstrous frames.....) edit those for REAL with the music.

Five months i figure (hope).....and then i'm hoping, but not holding my breath, that justin will take a really long NAP.

Another Powerfull Armature!!!

Hey guys,

A special treat that arrived in the mail yesterday!! This is pro armature number 2 for {Stunt Puppet Pictures} We have one more comeing down the pipes for our next super secret Project.

PURE Bueaty!!!

jriggity

AEDIE'S FIRST 2D ANIM

Aedie Ladie Applesauce, age 5.

Anatomy of a Shot!

Hey guys,

So after 4 sleepless nights in the garage I came out with what I THINK is a decent shot. I had to wrestle quite a few challenges in the creation of this shot...... But Shel gave it the seal of approval.

Process -

{Step one} in approaching the shot was to figure out what was required of my actor Geralds performance. He is Excited to see a new person! He is trying to seem cute and Loveable maybe a bit goofy. This means Happy faces , BIG smiles and Cute Poses!

I had worked out the Choreography {on paper OR post it notes} a long while back but now I will be faced with the task of Getting my puppet ......whos limited physical properties challenge every step of giveing his performance.....to ACT.

Before animateing I always go down into our Gym and act out the actions of my character. I do this to {experiment-Break down}.....and to physically put the performance into my body.I am a very Physical person so If I can Feel a movement I can definately animate it.

Shel usually gives me feed back and suggestions if somthing isnt reading or flowing. Once I feel the movement I have a direct connection to how the puppet should feel in his movement.I ALSO have a DIRECT emotional experiance of how my character feels in the shot. Its very common for me when animateing a {Sad / happy /Excited scene} to wear the very expressions that my characters wear as I pose the characters . This is being inside your character {ONE FRAME at a time}...I am essentially Gerald the DOG as I animate him.

This I feel goes all the way back to playing with my action figures as a kid. I was down there on the floor in their universe. I was feeling and believeing everything my Gi joes, Star Wars , HE MANS or Transformers would encounter. Its really funny to think Im essentially 33 doing the same thing.....Ha! POWERFULL!!

I also some times video tape my self or have Shel act out my performance so I can see what It looks like from the audiance point of view. She sometimes can bring a whole new angle to the performance I never thought of. She also has different ideas about things that can really add to what Im trying to accomplish.Her dance and performance background come in handy in this reguard.

After this I have a good idea what replacement heads I will need for the shot...I at that point need to resculpt new ones or fix damaged ones from old shots.This takes some preparation and is not one of my favorite parts.

If all is good I move to the garage.I usually go into the garage with a few KEY DRAWINGS on paper that I really want to hit.

I then set up the lights - set up the computer - and Get the camera positioned and focused. Monkey Jam loads up - set up the spycam. ANIMATION.

This shot ended up being {30 seconds long - 4 nights of animating} I really was trying to make this shot a keeper so I back tracked more than once to make sure I was not short changeing the acting. This shot also will have key moments where it cuts to little girl reations and then cuts back to Gerald.

{Night One} -I stop at the part where he sits back up from the cute Roll over pose.

{Night Two} - I got him to the tail chase and comeing out of it.

{Night three} - YIKES!!!!! My bowl was trashed and All my dog food was gone????

were the kids in here? whos been messing with my hot set? I then realized that the most likely culprit would be our cat "Cosmo" DAMMIT.....I had to rebuild the food particles and bowl then get them resonably back into place. I wasnt too worried about this since the blank plate saves all.

I get all things into place and continue the animateing I get him rolling back from his dizzy flop...and into the sitting position

{Night Four} Pop in seinfeld to play in the background...{I always have somthing playing as I work} ... it all goes well....FINISHED.

Heres what came out....


This is the last of the big shots I had to do...all though there are a few more parts of this sequence to shoot....I am rolling down hill now FULL Steam. I just started another second job for a week....so I wont be able to make my quota this week. It should be fine though since shel scheduled 3 weeks for this shot.

over an out!

jriggity